Remember the start of the film Multive -Seinnsinn with 'Run Lola Run' – The Hoya

While the multiverse concept has proven to be a staple food in the modern film industry, with blockbusters such as Marvel's “Avengers: Endgame” Reign At the top of the highest Gau films of all time, “Run Lola Run”, “ An experimental Indie film from Germany in 1998planted the seeds for this trend and continues to serve as one of the most influential films in the genre. The film takes an initially simple thriller route and turns it upside down as the Two protagonists, Lola, played by the then newcomer actress Franka Potente, and Manni (Moritz Bleibtreu)Try too Find 100,000 German markings to avoid a dangerous fate through a Mobster.

While the premise of the film appears uncomplicated in the first 30 minutes, the introduction of an incoherent, time -bending act begins with a critical scene. To initiate a cyclical story that ultimately brings the audience back to the opening moments. The lack of a standardized sense of time is AIDS director Tom Tykwer In the formation of an exciting story in which the true solution – a reality in which Lola and Manni can discover 100,000 points – is at the same time accessible and unreachable. In the three most important chapters of the film, characterized by various timelines, Lola and Manni Take different approaches to search for the money – in a deprived of Lola the bank where your dad works, but in another Manni chases for the man who pressed the original money supply. In every timeline, Tykwer Lola and Manni forces different scenarios in which every small campaign has a major impact. The attention to detail here, like the motif of the course of time by the recurring symbol of Analog watches enable “Run Lola Run” to see both in the German film industry and in the worldwide pioneering success.

With regard to the other key elements of “Run Lola Run”, the high octane and the frenetic pace stands out and creates a fascinating effect that longs for discovering the larger fates of Lola and Manni. After Lola discovered that Manni needs 100,000 marks with a period of 20 minutes, The film sets Lola On a sprint over Berlin. At the beginning of each time loop, Tykwer uses another successful component in the form of hand -drawn animations that sprint down a staircase as Lola. The transition from live action to animation and back again creates a sporadic but innovative visual technology. Since the events between each time loop differ so slightly, which ultimately leads to shifts in the larger story, Tykwer forms an enthusiastic story – and shows two negative results for the protagonists before the final moments of the film finally dissolve. With three different possible endings for the protagonists, Tykwer creates a split tree option tree. In just one of these options, however, everything is set perfectly so that Lola and Manni can work separately But at the same time to achieve what seems to be an impossible performance at the beginning.

Throughout the film, Tykwer adheres to the phenomenon of the butterfly effect, since each individual action has an ultimate consequence for supporting characters. Whether with a pedestrian woman who is seen in a stroller or a bank employee in her father's company, Lola's decision to interact with these different people in different time loops leads to deep -contrasting results in everyone. For example, the pedestrian is seen in the first loop in a state of turbulence after losing her child. In the second timeline, however, she wins the lottery and can be seen in a state of high enthusiasm. The strong contrast between the different results, each of which is resulted as the result of the smallest actions of Lola, means that each narrative strike appears surprising, even if the same events almost repeat themselves again.

Tykwers Film is an important cornerstone in film history and has contributed to paving the way for the concept of multiverse as a central piece in modern films. In this sense, “Run Lola Run” has a remarkable success that shows and continues the power and influence of German cinema on the larger film world.